Warning: Undefined variable $ub in /var/www/wp-content/plugins/advanced-page-visit-counter/public/class-advanced-page-visit-counter-public.php on line 148

Warning: Undefined variable $ub in /var/www/wp-content/plugins/advanced-page-visit-counter/public/class-advanced-page-visit-counter-public.php on line 160
Exhibition – John McRae Photography & Studio

Exhibition in Melbourne for the Lunar New Year

Yashian Schauble (Australia China Art Foundation, ACAF) and Christina Zhao (Melbourne Chinese Business Association, MCBA) have collaborated on staging a wonderful event in Melbourne that features several art exhibitions as part of the Chinese Lunar New Year Festival in Melbourne.

As stated on the press release:

This year, as we celebrate the Year of the Wood Snake, Melbourne Chinatown will come alive with the city’s premier cultural event. Highlights of the festival include the iconic Millennium Dragon Parade, spectacular lion and dragon dances, dazzling lantern displays, and a feast of live performances ranging from traditional music to contemporary art showcases. 

Themed around wisdom, intuition, and transformation, A Round Square Banquet explores personal identity and cultural inclusion through a stunning collection of over 30 works by artists from around the globe. 

I am happy to say that a number of my photographs are represented in the exhibition at the Chinese Museum in Melbourne (through February 9). Information about three of my works is listed below.


Ali & Osso Buco, 2012
Pigment inkjet on cotton rag, 60 x 90cm
Edition 1 of 9, (3AP)

Ali sits at the dinner table, an embodiment of indulgence fused with a certain effortless refinement. A glass of red wine rests beside him, its rich colour, a perfect match for the Italian speciality of Osso Buco before him. His presence radiates a raw, unapologetic masculinity, sensuality, and sexuality, infusing the vast dining hall with an almost palpable energy that contrasts sharply with conventional notions of fine dining. A single yellow tulip, vibrant and unpretentious, symbolizes his joy—an outward expression of his unrestrained pleasure as he savours each bite, completely immersed in the moment.

Winner of the critics choice award at the 2013 “Shoot the Chef” competition held by the Sydney Morning Herald



Portrait of Margaret Olley in her Paddington Studio, 2011
Pigment inkjet on cotton rag, 66cm x 154cm
Edition of 6 (1AP) (Signed lower right)

In mid-2011, had the great pleasure of photographing renowned Australian artist Margaret Olley in her Paddington studio, a place well known for its colourful clutter and referred to by some friends as ʻThe Dolls Houseʼ. In my portrait, Margaret is seated in her painting chair, confronting the lens with her particular sense of candour and an uncommon frailty. As far as I know, this may well be the last photo taken of her before her death the following 
month in July.  Christine France – art critic, author of Margaret Olley (1990), commented, “It is a wonderful photo in that it captures both the vulnerability and sense of enquiry which entered her face in the last months of her life”.

The Portrait was a selected finalist in the 2012 National Photographic Portrait Prize, National Portrait Gallery, Canberra. It won the inaugural People Choice Award at the National Photographic Portrait Prize.

The Tweed River Art Gallery purchased the work as part of their permanent collection with the intention of displaying the portrait as part of the Margaret Olley Art Centre, Murwillumbah.



Amirah I, Sydney 2017
Pigment inkjet on cotton rag  92cm x 63cm
Edition of 9 (AP)
(from the series “Spot the Arab”)

This striking portrait of Amirah forms part of the “Spot the Arab” series of photographs. The project engages with portraiture as a vehicle for exploring complex themes of identity, including religion, race, gender, orientation, nationality, and freedom. 

Presented initially in a game-like format, Spot the Arab invites viewers to question whether the subject of each image self-identifies as Arab, thus prompting reflection on assumptions and societal constructs. 

For the series, the artist imposes a Middle Eastern costume on each subject, using it as a tool to both veil and reveal aspects of cultural identity. Each subject is then asked to articulate their own sense of identity, a process that challenges preconceptions, stigma, and prejudice. 

At the time of this photograph, Amirah was a social worker in Sydney’s western suburbs and identified as an Egyptian Arab woman.


Pictured from left: Yashian Schauble (ACAF) and Christina Zhao (MCBA)

Images of my photo-installation at the Power Up Festival at White Bay Power Station

I went to the former White Bay Power Station at the weekend to take a series of installation images of my work, on display as part of the “Power Up Festival” in Rozelle. (See previous blog post for more info). There has been a really good response to my photographs in the exhibition, which were visible through specially constructed “peep-holes” to create a surreal, hidden, slightly subversive effect. My photographs themselves capture scenes shot in the former psychiatric ward and hospital in Rozelle.

Polly shows at new Sydney gallery

Polly helping me out by holding up the colour card for our shots in her Balmain studio.

Pollyxenia Joannou-Reddin is an award-winning Sydney-based contemporary artist working in painting, drawing, sculpture and installations.

She has only recently returned from spending a couple of years with her partner in London. London, however, is no stranger to Polly as she completed her MA in Communication Design at Central Saint Martins (UK).

The breaking news, however, is that Polly is having a new exhibition in a gallery on the fringe of the Sydney central business district, opening 23 August, 2023.


The work or process is a path that evolved rather than a conscious, academic process. I see the world or landscape as structured architectural codes; the repetition of lines; 3D structures of an urban landscape and what I perceive as unnecessary, I discard. I seek in my work a quiet corner. The work provides a pause or a resting place before moving on. I try and achieve this through colour palette, a balance of aesthetics via shapes, line, repetition, and materiality.” (Pollyxenia Joannou-Reddin)

I love Polly’s clean, intelligent work…so it’s a pleasure to photograph and contemplate each piece as we manoeuvre it into position for the final capture.

Check out Polly’s work at CBD Gallery in the city (until 23 September), a relatively new space which also runs workshops in various topics.

Laura Matthews – a new body of work

Artist extraordinaire Laura Matthews has recently completed a new body of work, which I happily photographed and documented at her inner-west studio in Sydney. Her paintings often look at how figures interact with expressive landscapes, including her recent series of underwater images. 

Laura is the product of the illustrious British art school, The University College London Slade School of Fine Art (informally known as “The Slade”). It is touted as one of the UK’s top institutions for art, design and experimentation. A notable teacher at the Slade was the well-known British painter Lucien Freud.

After her studies, Laura moved to Australia with her husband, where she has worked as an artist ever since.

I enjoyed photographing her recent work. I admire Laura’s draughtsmanship as well as the looseness of her painting. I love “painters who paint”. What I mean by this is that I appreciate painters who really push their colours around on the canvas … where you can see the medium of paint and their techniques.

Laura is represented by the gallery, NandaHobbs and you can visit her link on the gallery website here:

Charles Cooper – Australian Artist

I recently had the pleasure of spending an afternoon at the studio of the Australian artist, Charles Cooper. Charles is a long standing professional artist of high repute.

Charles has started an exciting project of producing a monograph of his work and required some additional photography for pieces he wanted to include.

I must admit I am really into the “surface” of painting and the surfaces of Charles’ paintings are lush and seductive which does it for me.

Charles has a long standing relationship with Annandale Galleries and his work can be seen if you click on the link.

“Not So Long As the Night” – Emily Jacir exhibits in Turin

My portrait of Emily Jacir, taken in one of her favorite streets in Rome, 2016

My friend, the Palestinian artist, Emily Jacir has a solo show at her Turin gallery, Galleria Peola Simondi, Italy (until 14 October, 2021). The photo based works, film and texts are her response to the ongoing conflict between the Israeli state and the Palestinian people in and around her ancestral home and artist’s studio in Bethlehem. Jacir’s house is 200 metres from the “Apartheid Wall”, the imposing security barrier which was supposedly designed to protect the Jewish Israeli population but instead serves to isolate and and antagonise Palestinian communities. As Jacir states in the text by Francesca Comisso, “the wall does not separate us from Israel, it separates us from ourselves”.

Emily photographed in Rome, 2016

I have photographed Emily several times over the years and one of these images was used by La Repubblica newspaper in the review of her current show at Galleria Peola Simondi.

“Fire-Ground” – new sculpture by Margarita Sampson

“This work comes from walking through the fire ground after the 2019-20 fires in the Blue Mountains….the textures, the still glowing logs, the xanthorrhoea stumps, the profound and shocking stillness,” says artist Margarita Sampson.

It is great to photograph Margarita’s work and spend a couple of hours with her magnificent and unusual creations. I wonder what’s next….?

See more of Margarita’s work at: Click here

Rebecca Wilson – launch of her Kate Kelly biography

Our friend Rebecca Wilson – artist, writer and gold miner – has spent more than a decade researching the troubled life Ned Kelly’s (famous Australian bushranger) younger sister Kate.

Her 400 page biography has just been published by Allen & Unwin and we attended the book launch at the Gang Gang Gallery in Lithgow in mid February.

Bec happily signed copies of her book in Lithgow

At the same time the Gang Gang Gallery exhibited a series of narrative paintings and story cards based on Rebecca’s ongoing investigation into Kate Kelly’s colourful story.

Jonathan Turner and Maree Azzopardi with Rebecca’s portraits from the life of Kate Kelly

Concurrently Rebecca’s solo exhibition, Myth Making Heroes and Villains, at BRAG (Bathurst Regional Art Gallery) looks at stories and legends from central NSW, featuring some of the more forgotten characters of Australia’s colonial past.

GENIUS PEOPLE MAGAZINE

I am pleased to announce that GENIUS People Magazine in Italy has published an article about my ongoing Spot The Arab project, aligned to my exhibition at Galleria Il Ponte Contemporanea in Rome.

GENIUS People Magazine is a topical, bilingual publication based in Trieste in northern Italy, appearing both on-line and in print form, guided by Editor-in-Chief Francesco La Bella, and Project Manager Mariaisabella Musulin. It focuses primarily on contemporary arts and culture.  

Click on the following link to read the article, written by Jonathan Turner:

http://www.genius-online.it/?p=18540

Exhibition of finalist’s images – Shoot The Chef

If you’re anywhere near Star Casino over this month, drop in and have a look at the 24 finalist images from the “Shoot The Chef” competition, on exhibition in the foyer area.

Ali & Osso Buco

Ali & Osso Buco  John McRae, 2012 (Critic’s choice winner 2013 Shoot The Chef)

Finalist’s images on exhibition at: The Star, 80 Pyrmont Street, Pyrmont 2009 from October 10 to October 31