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I love, love, love the work of Mr Paul Capsis. It seems everything he touches he brings to new life….it moves and emotes with a depth of soul.
For anyone who is not familiar with Paul’s body of work, he is an award-winning Australian actor of Maltese/Greek extraction, a singer and playwright who has been working consistently for decades. He has released four albums, appeared in several films (for example alongside Alex Dimitriades in Ana Kokkinos’ 1998 film “Head On”), appeared in countless theatre productions in Australia and Europe, written and performed in his own auto-biographical play and is a regular in musical theatre and cabaret. In 2012, he won the category of “Best Male Actor in a Play” and “Best New Australian Work” at the 12th Helpmann Awards, for his one-man play “Angela’s Kitchen”, with Capsis portraying multiple roles from his childhood. For more details on his body of work visit this link: Paul Capsis..
It was time for Paul to sit for an updated head shot, so he came to my studio. Usually when I shoot Paul, he undergoes a transformation into some other-worldly character, complete with makeup and costume. In the past, I have captured images of Paul as part of the various productions with which he has been involved, including as the cynical Emcee in the stage production of “Cabaret” (he was amazing in this role) and more recently, in the flamboyant role of Albin in David Hawkins’ Sydney production of “La Cage Aux Folles”. As a chameleon, Paul magically disappears into the skin of his different theatrical personas. This time we aimed to create a simple and more natural portrait of Paul, without makeup or any glitzy trappings. Paul Capsis “unplugged”, if you will.
Paul as Emcee in “Cabaret”
Production shot for “Cabaret”, Hayes Theatre
Paul as Albin in The David Hawkins production of “La Cage Aux Folles”, with a new season at the Arts Centre Melbourne from November 9, 2023
Paul as Albin – see what I mean when I say it’s not often that I have the chance to photograph Paul without makeup and glitz.
We had a great time catching up during the photo-shoot. Shooting one-on-one, as in this situation, allowed us more time to reminisce and to have a chat. Normally, with a whole production attached, there is little time and since many more people are involved, you need to keep focused to get all the shots in the limited time-frame. Our recent shoot in my studio was far more relaxed.
Paul is an exciting performer who never sits still, so I can’t wait to see what professional challenge he will tackle next.
Photographing at the Sydney Opera House is always a great pleasure. No matter what the occasion, the view is always amazing. One is always struck by the beauty and grandeur of this impressive structure.
Virginia Braden OAM (Chairman) & Gerard Willems at the media wall prior to the start of the concert.
I was commissioned by “Piano +” to photograph the media wall and VIP reception. Piano + is the entity that has been newly formed to organise and stage the long-standing Sydney International Piano Competition, a program that has been operating annually since 1977. Every four years a competition is held, open to international performers, to compete for a prize money purse. Held in July/August, the prestigious competition is broadcast nationally and internationally.
This year’s competition was won by Jeonghwan Kim (article here:). Kim takes home a $50,000 cash award, as well as being invited to perform at different concerts, a national tour of Australia, a digital and CD release of his performances during the competition, and further recording engagements.
The fabulous Bek Jensen stepped into my studio recently to work on some images around a new album that she is about to release.
Bek is a talented singer/songwriter and from the age of 16 she has been working professionally as part of the Australian music scene. She comes from a very musical family with both parents also working as musicians….. so it’s no wonder that this enthusiasm has been passed on.
Bek has recorded and toured nationally with many of Australia’s iconic artists including Cold Chisel, Jimmy and Mahalia Barnes, Tina Harrod, The Sleepy Jackson, Paul McDermott, ALPHAMAMA, Morganics, Jackie Orszaczky and Clayton & Lachy Doley. She has released numerous original recordings, both signed and unsigned, under different guises.
The new single from the album is called “Energy”…..available on AppleMusic here: Listen to the music of Bek Jensen now!
A second season of La Cage Aux Folles was staged at the State Theatre. Not only did I manage to shoot part of the dress rehearsal but I also attended the opening night and shot the red carpet at the beginning of the evening. This also meant that for the first time I got to sit in the audience and actually see the show performed from start to finish as a “normal” person.
Paul Capsis was stunning in the role of Albin. Also the chemistry between Georges (Michael Cormick) and Albin (Paul Capsis) was just magic. I loved the dancers (Les Cagelles) and the choreography (Choreographer: Veronica Beattie)…really well done. In fact the whole cast was perfectly drawn. It was a delight to be thoroughly entertained by all the colour and movement and I found myself completely engaged and invested in the story and the dialogue.
Obviously I wasn’t the only one that liked the show. Here’s a review posted in “Time-Out”
The Red Carpet is always fun…….
Tom Gay
Lara Mulcahy
Leigh Sales
Matty Mills
Riley Spadaro (Director), David Hawkins (Producer) & Veronica Beattie (Choregrapher)
La Cage Aux Folles will be playing in Sydney at the Concourse at the end of November. Tickets available at Ticketek here:
Directed By Cameron Menzies
Musical Direction by Craig Renshaw
Choreography by Veronica Beattie George
Production Design by James Browne
Lighting Design by Karen Norris
Wigs and Make-up Design by Drew-Elizabeth Johnstone
Sound Design by Anthony Lorenz
The iconic Paul Capsis will be joining an all-star cast including Michael Cormick to delight Sydney audiences. We captured some images of Paul at the studio recently in preparation for the production. Here are some behind the scenes shots of Paul getting ready for publicity imagery. As always it is a joy to work with Paul. His ability to make you laugh is unsurpassed.
Paul in makeup with Vincent Wang (MUA), watched on by La Cage Aux Folles producer David Hawkins
Directed by Luke Joslin Musical Director Su Hee Cho Choreographer Matthew Jensen Design Angela Meany Production Assistant/SM Alexis Worthing Producer Michelle Guthrie
Starring Penny McNamee with Andrew Cutcliffe, Wayne Scott Kermond, Octavia Barron Martin, Ava Madon, Drew Livingston, Vincent Huynh, Dean Vince, Emily Cascarino, Joel Houwen, James MacAlpine, Chloe Malek, Siena Elchaar
The Hayes Theatre, Potts Point, is well known for its staging of musicals and theatre productions. One such production is the musical, Bells Are Ringing. This piece is part of a Hayes Theatre’s initiative whereby long standing musicals are selected as part of a “forgotten musicals” genre.
What is also interesting in these productions is that the cast comes together and is given the scripts one day before the musical opens to the public. This means that the cast is challenged with the formidable task of presenting something which is almost not rehearsed…..to the point that they cast members read from scripts on stage as part of the presentations. This creates a captivating set of conditions as the audience is simultaneously invested in the outcome.
As Penny MacNammee states in a recent interview, “The unique and thrilling experience that comes with performing a Neglected Musical, is three-fold for me. Firstly, the challenge of learning and staging a show in just a day, the thrill of performing that show in front of a live audience who are invested in the process, and finally the joy of rediscovering and presenting a forgotten, but cherished musical!”
I was asked to shoot for the production on their first public performance of the show. It was a great experience to capture the moment. The following is a selection of shots…..
If you missed this production at the Hayes make sure you catch one of their works in the future. Keep up to date by visiting their web site here: The Hayes Theatre, Sydney.
Trevor Ashley is at it again! This Christmas will see Trevor flying high in a raucous parody called “Moulin Scrooge” being performed at the Seymour Centre in December, 2022.
I had the pleasure of working with Trevor again on the photography for the poster work. We hadn’t seen each other for some time so it was great to have him in full make-up and drag, bursting into the studio for the shoot.
We set up a mock trapeze in the centre of the studio as the main prop to recreate the illusion of “Nicole Kidman”. As you can imagine the whole shoot was hilarious. Trevor has a natural capacity to keep you giggling even when you should be concentrating on more serious concerns.
Costume: House of Priscilla, Wig Styling: @wiggedoutau
Minnie Cooper is one of Sydney’s most eminent drag queens. Her career spans decades and she hails from the flamboyant, golden years of drag in Sydney in Oxford Street. Most recently she has done a sterling job starring in the latest series of Ru Paul’s Drag Race Down Under (currently showing on Stan). Minnie made it through to the fourth episode, before she was ceremonially ejected from the line-up by Ru Paul herself. She departed with enviable glamour and style.
Minnie asked me to organise a shoot to document some of the original looks which “she rocked” during the four episodes of Drag Race Down Under. Here are some images from that shoot. Think Lucille Ball, operatic diva, Madame Butterfly, Penelope Pitstop. It is always great to work with Minnie, who is a real pro, an authentic Sydney icon and a generous mentor to upcoming talent. I know that Minnie has further show-stopping looks which deserve to be properly documented, and so I look forward to our next photography session together.
Costume: Dallas Della Force, Wig Styling: @wiggedoutau, Jewellery: House of PriscillaCostume: Kirsten Damned, Wig Styling: @wiggedoutau, Boots: House of PriscillaCostume: Kirsten Damned, Wig Styling: @wiggedoutau
From top to bottom (Mitzi Mackintosh, Pam Ann, Alex Perry, Charlotte Dawkins, Julie McCrossin and Ruby Rose (SX cover for March, 2009)
As a “flashback” moment I went through a few images of shoots I have done for various covers of SX, the Sydney weekly magazine. SX no longer exists, having halted operations in 2017 but I do remember having a great time with the broad selection of people with whom I had the privilege to make portraits in my studio and on location.
Behind the scenes with the Foxtel broadcast line-up of talent for the 2009 Mardi Gras parade
The very first cover I did for SX was in February of 2008. Brad Johnston was the editor at the time and he asked me to shoot a series of images of Verushka Darling, the well-known drag identity in the LGBTQI community. Brad said about her; ” When is a drag queen not just a drag queen? When she’s also a model, corporate MC, TV presenter, producer and scriptwriter”.
Verushka was performing that year at Mardi Gras (30th anniversary) and SX had devoted an article to her take on fashion.
Verushka Darling (My 1st cover, February, 2008)
Another early cover was of the well known DJ Kitty Glitter, who used to hold court as resident DJ at the rooftop club at Home in Darling Harbour. This cover was shot in my Lilyfield studio for the September 2009 issue.
There were so many covers and so many wonderful experiences. Now and then I am going to post flashbacks from some of my old shoots. Below are out-takes from studio visits by Verushka Darling and Amelia Airhead. Sometimes it’s great to be able to re-visit the past.
Brooke Blurton and Matty Mills have joined forces to create a new podcast with Nova Entertainment called, Not So PG.
Each week Brooke and Matty will deliver an unfiltered version of their world and their experiences being part of the First Nations and LGBTIQ+ communities, while navigating mainstream media.
Entrepreneur, influencer and reality TV icon Brooke Blurton and TV presenter and actor Matty Mills grew up without standard parental guidance. Not So PG is a podcast and guide for anyone who has pulled themselves up and taken control of their life.
It was rewarding to meet both Brooke and Matty and to work with the NOVA team once again, plus the wonderful Ariela Dundovic (hair and makeup). To create promotional images for their podcast, we shot in my studio at Lilyfield, capturing a diverse series of images.
WorldPride is a global Pride celebration that in 2023 is coming to Sydney. Previous WorldPride celebrations include the first in Rome in 2000, New York in 2019 marking 50 years of the Stonewall uprising, and Copenhagen in 2021 celebrating both WorldPride and the EuroGames.
As part of the early ticket marketing of the event, the organisers arranged a photoshoot at my Lilyfield studio. My brief was to capture a diverse selection of individuals who could communicate the joy and vibe of this unique celebration. In doing so the models including Sveta, Faustina, Jules, Maria, Paul & Johnny and Sina, help to motivate both Sydney-siders and the international public to attend one or several of the line-up of events.
From left to right: Milo, Faustina, Matty, Jules, Maria & Sam
It was a vivacious day with great energy. The studio was humming with creativity … from stylist Hannah Cooper with her racks of clothes and accessories, to the vast array of colours splayed out on the table by make up artistYvonne Trans. The team fromMC Saatchi watched the results unfold on the computer screen while coffee and sandwiches arrived at appropriate moments. It was inspiring to be part of a team completely focused on creating the best possible results.
Sydney WorldPride events will take place from February 17 until March 5, 2023. The official Opening Ceremony will take place on February 24. Other events include a First Nations Gathering Space, a game-changing Human Rights Conference, an unforgettable Pride March across the Sydney Harbour Bridge, a closing ceremony and a sensational party on Sydney’s iconic Bondi Beach (plus many more events still to be announced)!
One of my favourite photo commissions this week was shooting the very talented Paul Capsis for the cover image for SX magazine.
As well as being a ground-breaking actor/singer and all-round performer, Paul is cheeky and fun to be around. Over the years, I have photographed him in numerous disguises. The new portraits of Paul show him in the role of the unhinged, slightly diabolical Master of Ceremonies, from the stage production of Cabaret. They were staged at my Lilyfield studio, which overlooks Callan Park. (It’s only a coincidence that I work in a studio which overlooks an abandoned insane asylum).
“Wilkommen, bienvenue, welcome,” sings the MC. “Leave your troubles outside! Life is disappointing? Forget it!”
With Mariel McClorey on make-up and Drew-Elizabeth Johnstone on hair, excellent results were assured. Here are some shots of the preparation in my studio and three finished portraits which demonstrate Paul’s dramatic flair.
Courtney Act and Vanity are at it again. Following their very successful first season of the NOVA podcast of Brenda, Call Me, where our two partners in crime would meet each week to “chew the fat” on what had got them all fired-up, Courtney and Vanity will be back on the airwaves from this Thursday, May 19, 2022.
In mid-April, we shot these promotional images at Sydney Props with the team from NOVA, as well as Stephanie Liebeck (On-site Stylist) and Russall Beatie (Head Stylist), both from Giant Panda King, who were responsible for the concept, set design and additional photo re-touching.
But wait…..there’s a narrative!
According to Courtney’s instagram (@courtneyact), while she was exploring the planet Octopoda, Courtney “has gotten herself into trouble” while on an Intergalactic Lady Grindr date gone wrong.
“You don’t look anything like your picture! You have 9 arms instead of 8! BRENDA, CALL ME!”“Don’t worry Brenda, I’m coming to save you.!”
While aboard the USS Brenda, in orbit around the planet Octopoda, Vanity hears a distress call from Courtney, whose intergalactic Grindr date has gone horribly wrong. “Don’t worry Brenda, I’m coming to save you!”
Vanity finds Courtney hand-cuffed to a Chick-Feather-Boa Tree and tells the 9 armed catfish, who looks more like an octopus, to scarper before she zaps him with her stun-ing gun.Courtney and Vanity beam back up to the “USS Brenda” to relative safety.Finally, the two friends celebrate in the safety of the mother-ship.
Catch these two characters from this Thursday on a weekly basis at NOVA Podcasts (Brenda Call Me). As Courtney states….”Vanity and I are bringing you more astounding honesty, friendship and some queer history!”
Nadia, Katia and Cherry photographed in one of their extravagant performance costumes
It was an afternoon of colour and movement in my Sydney studio photographing the three Thai beauties Nadia, Katia and Cherry. These hard-working showgirls make up a dedicated trio who entertain across the country in clubs and entertainment centres, performing with Las Vegas glitz and Hollywood glamour.
Coming out of lockdown hibernation, the girls required some new, beguiling imagery for their upcoming performances. Filled with costumes, feathers and diamantes, my studio was like a backstage dressing room and performance space for Mardi Gras. Setting up the shoot was a lot of fun.
I was asked to produce imagery for the production of Qween Lear which will be one of the headlining performances in the 2022 Sydney Festival. So along with Dee Dee as a fierce Sydney drag identity, we set up a photo-shoot in the mens toilets of the Cricketers Arms pub in Surry Hills to promote this immersive theatrical performance. As part of the festival programme, Qween Lear will take place in the Hordern Pavilion, itself the site of so many parties in the age of excess and ecstacy.
Part rave, part theatrical extravaganza,Qween Lear explores the demise of Sydney’s party era through the tale of an ageing drag matriarch played by Minnie Cooper (AKA Aaron Farley), abdicating her nocturnal throne. Set over one night around the turn of the millennium and stacked with Australia’s fiercest performers, a dazzling light show and throbbing original score, it’s a joyous love letter to the legends and legendary stories of Sydney’s lost nightlife.
The story of Sydney’s nightlife is inseparable from its queer history. Sparked by the 1978 Mardi Gras protest, the birth of house music, and a flourishing queer counterculture, our fair and feisty city gained an untouchable reputation for hedonistic nightlife in the eighties and nineties. Hordern Pavilion parties were the red-hot and sweaty epicentre of this fantasy world of love, fetish and house music. Now it will the home of a queer version of the Shakespearean tragedy King Lear.
Post-show Exhibition: At the conclusion of the Qween Lear performance in the Hordern Pavilion, ticket holders are invited to a free digital photography exhibition representing some of Sydney’s most iconic parties from the late twentieth century. This project has been proudly supported by the Powerhouse Museum.
At the end of November, the new season of Trevor Ashley’s production of “The Lyin’ Queen” begins at the Sydney Opera House.
Trevor came to the studio to complete a series of new publicity shots with Todd McKenney (Dancing with the Stars, The Boy from Oz and numerous TV and stage productions) who has just joined the cast going into the new season in Sydney.
Todd as eccentric billionaire Dr Richard Rabbitborough and Trevor as Gaye Wray
The day after the shoot, the Sydney Morning Herald published a story (30-31 Oct, 2021) promoting Trevor’s show and the return to normality in the theatre world, reproducing a still from our shoot (see below).
The Weekend Telegraph ran an article in “Sydney Shortcuts” on the weekend with a one of my production images from last year’s sell-out season to promote the 2021 season (see below).
Production still of Trevor Ashley on stage as Gaye Wray, The Lyin’ Queen.
As Trevor says; “I couldn’t be more thrilled that Todd has joined the cast of the show. He’s an Aussie legend and has the best sense of humour, so I can’t wait to be on stage with him in this outrageously hilarious comedy.”
Expect dinosaurs, politics, parodies and an inflatable gorilla in this laugh-a-minute musical extravaganza and wild romp.
Todd McKenney and Trevor Ashley ham it up in my studio for The Lyin’ Queen
Jennifer Holliday performs at the opening of the festival at the Recital Hall, Sydney
Sydney was the original home of cabaret in Australia; it is an artform that is truly loved by all Australians. This year organisers decided to bring back the Sydney Cabaret Festival.
Trevor Ashley is the Festival’s Artistic Director. He assembled both International and Australian cabaret stars into a 9 day extravaganza of top class entertainment. Trevor states, “I have loved Cabaret as long as I can remember. As a confused child growing up I discovered this incredible artform that celebrated unique personalities, and more than that, an irreplaceable bond between artist and audience. Seeing artists like Lorrae Desmond, Julie Anthony and Geraldine Turner live, made me believe I could be anyone I wanted to be. It changed my life.”
Trevor Ashley, 2011 In make-up for his role of Edna Turnblad for the Australian production of Hairspray
The 2019 Sydney Cabaret Festival features Tony Award-winner Jennifer Holliday (pictured above), appearing for the first time on Australian soil, alongside local legends like Phil Scott and Jonathan Biggins, to New York downtown darling Natalie Joy Johnson. UK’s Frisky and Mannish return after a ten year hiatus, as does diva Alison Jiear. Tim Draxl will appear in a world premiere of his new show, along with Kim David Smith, Reuben Kaye and Brian Nash, plus circus and variety show Cheeky Cabaret, direct from their home in Brunswick Heads. Tim Benzie returns to Sydney with Solve-Along-A-Murder-She-Wrote. The Festival also includes a cabaret for children, Petit Cabaret, and masterclasses with Jennifer Holliday and Alison Jiear, as well as the Grand Final of the restored Sydney Cabaret Competition.
I was the Festival’s Photographer and had the pleasure of photographing and documenting most of the action. The following is a brief visual overview of how I spent my time.
Jennifer Holliday – Headlines the Festival
Jennifer Holliday headlines the Festival, appearing at the opening night at the City Recital Hall, Angel Place, SydneyMs. Holliday is the undisputed Queen of the broadway musical,Dreamgirls. Her show stopping number, “And I Am Telling You I’m Not Going”, for which she won a grammy in 1983, is her signature piece. She won a Tony award for her performance in Dreamgirls in 1982. Jennifer laid the audience in the aisles as she unleashed her amazing voice in the Sydney Town Hall on Saturday 6 July, 2019
Opening Night at the City Recital Hall
Trevor Ashley gives it his all as he channels some grand diva from somewhere.Trevor Ashley in diva modePhil Scott and Jonathan Biggins at the Opening Night.Phil Scott and Jonathan BigginsPhil Scott and Jonathan BigginsPhil Scott and Jonathan BigginsJonathan BigginsReuben KayeReuben KayeReuben KayeReuben KayeReuben Kaye, beamed down for the performanceBrian Nash at the keyboardBrian Nash New York City goddess and diva, Nathalie Joy JohnsonNathalie Joy JohnsonNathalie Joy JohnsonNathalie Joy JohnsonNathalie Joy JohnsonKim David SmithKim David SmithKim David SmithKim David SmithAlison Jiear at the Recital HallAlison Jiear
The solo Performances
The Piano Bar at the Seymour CentreSeymour Centre
The Seymour Centre was transformed into the Cabaret Hub with solo performances simultaneously running in 5 separate performance spaces. There was a great buzz of excitement and anticipation as the audiences crowded to attend each show. I ran from theatre to theatre capturing the action. Here’s a visual overview…..
Alison Jiear
Alison JiearAlison JiearAlison Jiear
Cabaret Competition Grand Final
Australia’s next generation of cabaret superstars launched their careers at The Sydney Cabaret Competition: Grand Final hosted by ‘International Queen of Cabaret’ Trevor Ashley.
9 entertainers were selected as finalists (Nyssa Milligan, Irene Nicaola, Katelin Koprivec, Sarah Murr, Naomi Livingston, Rachael Gillfeather, Ali Calder, Billie Palin and Clare Ellen O’Connor), each performed their own short cabaret shows. The judges then selected the 2019 winner.
Congratulations to the runner up – Clare Ellen O’Conner with her show Plucked! and the Audience Choice and Winner – Billie Palin, for her incredible performance in ‘From Dubbo to Death’.
Irene Nicola performs at the finalsClair Ellen O’Conner in “Plucked” (Competition Runner-up)Clair Ellen O’Conner Clair Ellen O’Conner Katelin KoprivecKatelin KoprivecSarah MurrSarah MurrBillie Palin in “From Dubbo to Death” (Competition Winner)Nyssa MilliganNyssa MilliganNaomi LivingstonTrevor Ashley announces the Runner-UpTrevor Ahsley presents the Runner-Up to Claire O’ConnorThe winner is announced! It’s Billie Palin, in “From Dubbo to Death
Cheeky Cabaret
Born out of the sleepy, picturesque village of Brunswick Heads on the north coast of NSW, birthed at the Brunswick Picture House, comes “Cheeky Cabaret”. Full of many flavours…..other than vanilla and very entertaining, Cheeky Cabaret ran for the entire length of the Festival in the Valhalla Room at the Seymour Centre.
Cheeky CabaretCheeky CabaretCheeky Cabaret
Frisky and Hammish
Frisky and MannishFrisky and MannishFrisky and Mannish
Master Class with Jennifer Holliday
Jennifer Holliday MasterclassJennifer Holliday gives some special advice during her master class at the Seymour Centre
Kim David Smith
Kim David SmithKim David SmithKim David Smith
Nathalie Joy Johnson
Nathalie Joy JohnsonNathalie Joy JohnsonNathalie Joy Johnson
Phil Scott & Jonathan Biggins
Phil Scott and Jonathan BigginsPhil Scott and Jonathan BigginsPhil Scott and Jonathan BigginsPhil Scott and Jonathan Biggins
Reuben Haye
Reuben KayeReuben Kaye on stage at “Capricios”, Seymour Centre
Tim Draxyl
Tim Draxyl dazzles his audienceTim Draxyl begins his performanceTim DraxylTim DraxylTim Draxyl
Toni Lamond and the Finale
Trevor Ashley at the Festival FinaleTrevor Ashley at the Festival FinaleTrevor Ashley at the Festival FinaleBillie Palin (Cabaret Competition Winner)Billie Palin (Cabaret Competition WinCabaret Royalty, Toni Lamond, makes her entranceToni Lamond slays the crowdToni LamondToni LamondToni LamondToni LamondToni Lamond
The Piano Bar
The Piano Bar was a big hit each night of the FestivalThe Piano Bar, the place to be after the show
The Piano Bar was a popular venue, nestled in the Seymour Centre’s Festival hub. Each night heralded a plethora of pop-up performances from various artists.
Rhonda Burchmore lying down on the job!Trevor Ashley with Rhonda BurchmoreCath AlcornCath AlcornGenevieve LemonGenevieve LemonGenevieve LemonGenevieve LemonMinnie CooperMinnie CooperMinnie CooperMinnie CooperBrian NashNathalie Joy Johnson (sans wig)Nathalie Joy JohnsonReuben KayeNathalie Joy Johnson, Reuben Kaye & Brian NashNathalie Joy Johnson, Reuben Kaye, Brian Nash & Trevor AshleyTrevor Ashley and Nathalie Joy JohnsonTrevor AshleyRhonda BurchmoreRhonda BurchmoreRhonda BurchmoreRhonda BurchmoreTim FreedmanTim FreedmanRhonda BurchmoreRhonda BurchmoreCatherine AlcornCatherine AlcornCatherine AlcornGenevieve LemonPhil ScottKim David Smith and Brian NashReuben Kaye and Brian Nash
The Sydney International Cabaret Festival was a big success and will be now on the Sydney cultural horizon….so watch out for it next year and don’t miss seeing a few of the performers in next years line-up.
Rather than photographing the parade, this year at Sydney Gay and Lesbian Mardi Gras, I photographed the spectators gathered at Taylors Square, the hub of the procession.
I embraced the importance of an event where people from all different walks of life come together to celebrate a sense of community with joy and pride. It’s more than political. It not only reinforces the idea we are all in this together it provides an opportunity to shed the hum-drum and throw your hands in the air without shame.
The following crowd images are a quick selection of some of my favorites….
I had the pleasure of photographing production shots for the “Off Broadway” sensation, “The Room Upstairs”.
I would certainly recommend treating yourself to a night of pure entertainment and head to the Hayes Theatre….details below.
Music, Book and Lyrics by Max Vernon
PERFORMANCE AND BOOKING DETAILS
Presented by Invisible Wall Productions and Sugary Rum productions in association with Hayes Theatre Co
Directed by Shaun Rennie
Musical Direction by Nicholas Griffin
Choreography by Cameron Mitchell
Set Design by Isabel Hudson
Costume Design by Anita Yavich
Lighting Design by Trent Suidgeest
Sound Design by Neil McLean
Australian PremiereCast includes Henry Brett, Thomas Campbell, Nick Errol, Ryan Gonzalez, Martelle Hammer, Anthony Harkin, David Hooley, Markesha McCoy, Madison McKoy and Stephen Madsen
The View Upstairs pulls you inside the UpStairs Lounge, a vibrant 70s gay bar in New Orleans. The forgotten bar regulars come to life when a young fashion designer from 2017 buys the now abandoned space and is transported back in time. He gets to know the joys and struggles of this community and in turn learns about his place in the world.
From the opening piano chords of this Off-Broadway sensation, the five-piece band and cast of ten blast into the glam rock world of the 1970s. In our ever-changing world, this show looks at the then and now to explore our ideas of love, regret, defiance and resilience. The music will give you goosebumps, the story will make you both laugh and cry. See why Ru Paul said the show was “FABULOUS! It was fantastic.”
No rest for the wicked! Even though I was technically on holidays, over Xmas I agreed to do a job for a few cool performers that I have worked with before.
I took the job because they’re great fun to work with and at the same time, very professional in their approach.
The task on hand was to loosely re-create the “Death Becomes Her” poster image for a new drag show these guys were about to launch at Stonewall in Oxford St, Darlinghurst.
Below is a shot of the guys together during the shoot……
Well the poster is ready and the show is about to launch on a Friday night at Stonewall.
See the final result below and go along and have a look at what these guys are capable of…..
