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The first phase of an extensive upgrade to Mosman High School has recently been completed by Multiplex. I was commissioned to photograph the completion of this initial part of the project which extends along Military Road, between Avenue Road and Belmont Road, Mosman.
The build comprises of 16 new flexible learning spaces, new staff and administration facilities, new library, a beautiful new, extensive multipurpose gym/hall, a new canteen and a wonderful outdoor and rooftop play space.
This has to be state-of-the-art learning facilities and as I was traveling through the building with my camera I felt a bit of FOMO coming on as I was reminded of the not-so-state-of-the-art learning facilities I experienced, back in the day, at Horsham High School.
My long time friend Erick lives in Burgundy in the east central France. We met years ago in Australia, not long after he had arrived to forge a new life for himself in the Antipodes. After nearly 30 years in Australia, Erick decided to return to live in France. He purchased a wonderful old farm in Bourgogne.”
Bourgogne is a rich farming region of southern France, famous for its Burgundy wines (as the name suggests) and also for its Beaujolais. At one time the Duc de Bourgogne was touted as the richest man in France, better financially endowed than even King Louis XV, which must have irritated the King to no end. This wealth attracted even more wealth, as many of the aristocracy from the time moved to the region. The dinner parties were legendary. Hence there are amazing chateaux and country mansions dotted all over the countryside.
Erick has a particular penchant for looking after animals. Partly to satisfy this nurturing need for his fellow creatures he has created what he calls “Erick’s Ark”. The farm caters to animals which have been abandoned or are destined for the meat-works. Erick intervenes, for the most part, by purchasing as many of these animals as he can, providing a caring, peaceful life on his farm where they can live out the rest of their lives.
For example, when he hears about a horse destined for the Japanese sushi market, he mobilises and pays the “meat price” (usually 3.50 Euro/kg) to rescue the animal. He then organises transport to his farm, so it can frolic in the pastures of his Burgundy sanctuary. A normal sized Breton Draught horse (he has four or five of them) can sell for up to 3,500Euro, depending on the weight of the animal.
If I remember correctly, Erick’s family now consists of various tortoises (I keep getting confused between turtles and tortoises – Erick set me straight with the fact that turtles live in water and tortoises live on land), 5 dogs, 4 pigs, 6 peacocks, 14 donkeys, 2 mules, 12 horses and 3 Spanish mountain goats … and growing.
It was also really cool that my niece from Australia, Elle, was traveling from the French Alps to England, and Erick’s farm was on her way through. So I was able to spend a couple of days with her. She has known Erick since she was an infant. We hung out in the nearby village of La Clayette and travelled around on a sight-seeing/sugar pilgrimage adventure to various local patisseries. I am sure that the further you travel from Paris, the more butter and sugar goes into the local patisserie. Heaven!
Feeding time at the farm is quite the event, particularly for the tortoises, which consume mountains of fresh greens which need to be specially prepared. They are avaricious in their approach to food (not uncommon for any animal, I suppose)…they may be slow to move but they are certainly not slow in finishing a meal.
Erick and I were invited for a scrumptious lunch in a nearby village. One of my fashion clients, Valerie, has a house in the area and coincidentally she was also visiting France while I was there. Valerie is originally French and grew up in the region. After marrying an Aussie, she set up her new life in Australia. As the saying goes, you can take the girl out of the French countryside but you can’t take the French countryside out of the girl! We had the best lunch in the most immaculate French provincial setting.
In summer, Pride marches happen all around the world … you can catch one soon in a capital city near you. Well, not only in the capitals, but everywhere where activism and politics make a difference.
Rome is no exception. I was so lucky to be in Italy with my trusty camera for the RomaPride March on June 10. You couldn’t miss such a colourful event, especially when it’s a once in a year chance to walk the streets of Rome from Piazza della Repubblica where the parade has its genesis, through the majestic streets, as the crowd finally descends on the area around the Colosseum and Piazza Venezia. The appearance of this giant amphitheatre as you walk down the Via Labicana towards the Piazza del Colosseo, is breathtaking. What makes the experience entirely “inclusive” is the way the RomaPride marchers, the deejays, the floats, the friends and the general public all mix, to form a general melee of colour and movement and happiness. This year, special attention was paid to fighting against the new social limitations imposed by the right-wing government of Prime Minister Giorgia Meloni.
I had an amazing time walking through the ancient streets of Rome in the late afternoon, with more than one million other participants. It was also great to be with my close friends Marvic, Davide, Samuele and Jonathan, who’d all agreed to meet up together in Rome for the week. There was a discreet and friendly police presence, and some very advanced sound systems on the floats. As dusk approached, the light in this beautiful city took on a luminous pink glow. There was a shared feeling of celebration, not only with the other people in the parade, but throughout central Rome as we headed back to our apartment in Trastevere. And the beat goes on.
For more photos click through the following slide-show (below)…..
Over the next few blog entries I will post various segments from my recent overseas trip to Europe. Yes, I recently spent 3 wonderful weeks in sunny France and Italy. Now that I am back in the icy cold (I’m exaggerating), I’m lamenting the fact that it’s winter in Sydney, and why didn’t I stay away longer.
With this entry I am going to share the experience of traveling to the north of France to a place called Armentières.
The above image is the train station at Armentières. Some things in France are all shiny and new … this train station is not one of them. When I got off the train I was desperate to go to the toilet … no, this was a train station without a public toilet and so the attendant suggested I find one in a cafe in the centre of town. I laughed.
The purpose of this trip was to locate my great-uncle’s grave. The name of the war cemetery is “Cite Bonjean”. I had no idea where to go once I exited the train, so I headed to the nearest cafe. I found a coffee shop not too far away and as I was finishing, I noticed a conveniently located florist right next door. I had intended to buy some flowers to bring with me, so this was fortuitous
The story became magical once I entered the florist. A lovely man greeted me and helped me choose a floral tribute for my great-uncle’s grave. As we spoke I asked him if he could possibly give me directions to get to the cemetery, to which he replied, “No, hop in my car outside and I will drive you myself”. He called his wife to mind the shop and he took me to his florist van. I offered to pay extra for the service but he refused, saying if it hadn’t been for men like my great-uncle, they would all be speaking German today.
He kindly dropped me at a small gate to the side of the cemetery and then departed. In this one section there were more than 1,500 grave sites. Each fallen soldier had a headstone and these were arranged in long rows of two headstones, backing each other and facing out. The cemetery is huge. I was alone in this memorial cemetery and had no idea of where I might find my great-uncle. So I just started to walk towards the centre. I thought I would look around before working out a strategy to locate the grave site. Less than minute had passed when I looked to my left and there I found the tombstone of Pvt Murdoch McRae. How wonderful was that! It was a moving moment.
I spent time reflecting on the sacrifice of not only my great-uncle but also all the other men (and women) who had died during the Great War. As I walked through the rows of well-tended graves and read the epitaphs, I was reminded of just how young these boys were at the time … 21, 23, 26, 24, 28, and on and on.
I spent a couple of hours at the cemetery. It was solemn and peaceful. There was absolutely no-one else around, so I could lay on the grass, still and meditative. I left the bunch of flowers by the headstone, and a print of an old portrait photograph of Private Murdoch McRae, who died on January 16, 1917, and whose christian name is my middle name.
PierFrancesco Grasselli is a Rome-based author/novelist and local personality in the charming inner city locality of Trastevere (note: Tevere, is the Italian name of the river that runs through Rome; we call it the “Tiber” and “tras” is the prefix for across) which not surprisingly is the area “across the river”, at the level of the Ponte Sisto. Trastevere is a vibrant meeting place for young and old, with wall-to-wall restaurants and bars. During most evenings the streets are teaming with people.
I was staying with my friend Jonathan, an Australian who has lived in Rome forever. He happens to have the most magnificent terrace overlooking Trastevere and the many churches and cupolas of the inner city (not to mention he is an amazing cook, his table being one of the best in Rome). A perfect backdrop for a portrait shoot.
With his tongue-in-cheek, PierFrancesco Grasselli’s books and self-proclaimed trash novels include All’Inferno ci vado in Porsche (“I’m going to Hell in a Porsche”), Ho Scaricato Miss Italia (“I Dumped Miss Italy”) and his erotic autobiography I Maschilisti (“The Male Chauvinists”).
The weather was great. I used natural light to shoot PierFrancesco. The set-up was very simple and basic – sometimes this is all that is necessary.
Prime Constructions have a number of projects underway at Marsden Park in Sydney’s west. I was recently commissioned to document the completion of two warehouses and also photograph another building in mid-construction.
I do like shooting this kind of work. There’s something very “zen” about photographing what is essentially a huge rectangle in an industrial setting, at dusk. I like walking around the structure by myself as the sun is setting, waiting for the best light. It also makes you realise just how much space is needed to store and manage all the commodities that people require to maintain their urban lifestyles. These monolithic warehouses are usually built on the outskirts of the metropolis, where they are rarely seen by the more centralised, inner-city dwellers.
Before leaving Marsden Park, I captured images of a new Prime project in mid-construction. Here you can see the skeletal framework of a warehouse, with the steel girders reflecting the dwindling sunlight of the late afternoon.
In a departure from the more traditional corporate headshot required for company portfolios, the architectural firm Hansen Yuncken has decided to approach this genre differently, aiming for a more relaxed and natural look during our recent photographic shoot of some of their Sydney team..
The idea has been to capture the individual subjects with various backgrounds and in informal poses, as opposed to having a standard plain background, with each portrait photographed from the same angle. Where conditions permitted, I used natural light as the main light source. The emphasis was on diversity, and a less contrived atmosphere and posture. Of course the mere fact that the subject is having a portrait photograph taken can work as a barrier … not everyone likes being put in front of a camera for that “close-up”. It is always the photographer’s challenge to make the experience as easy and relaxed as possible, to achieve a more natural image (in spite of the very “un-natural” situation). I think we succeeded with the task at hand.
Artist extraordinaire Laura Matthews has recently completed a new body of work, which I happily photographed and documented at her inner-west studio in Sydney. Her paintings often look at how figures interact with expressive landscapes, including her recent series of underwater images.
Laura is the product of the illustrious British art school, The University College London Slade School of Fine Art (informally known as “The Slade”). It is touted as one of the UK’s top institutions for art, design and experimentation. A notable teacher at the Slade was the well-known British painter Lucien Freud.
After her studies, Laura moved to Australia with her husband, where she has worked as an artist ever since.
I enjoyed photographing her recent work. I admire Laura’s draughtsmanship as well as the looseness of her painting. I love “painters who paint”. What I mean by this is that I appreciate painters who really push their colours around on the canvas … where you can see the medium of paint and their techniques.
I captured images of a recent installation at Allianz Stadium, at the head office of the Sydney Roosters NRL team. The designers at Sydney Commercial Interiors created an impressive display with furnishings to house the many trophies and important football memorabilia collected by the club over the years.
Sydney Commercial Interiors is a Sydney-based company which leads the field in commercial interiors, spanning a broad spectrum of activities designing for office, hospitality, industrial and medical projects, as well as sports and recreation.
A second season of La Cage Aux Folles was staged at the State Theatre. Not only did I manage to shoot part of the dress rehearsal but I also attended the opening night and shot the red carpet at the beginning of the evening. This also meant that for the first time I got to sit in the audience and actually see the show performed from start to finish as a “normal” person.
Paul Capsis was stunning in the role of Albin. Also the chemistry between Georges (Michael Cormick) and Albin (Paul Capsis) was just magic. I loved the dancers (Les Cagelles) and the choreography (Choreographer: Veronica Beattie)…really well done. In fact the whole cast was perfectly drawn. It was a delight to be thoroughly entertained by all the colour and movement and I found myself completely engaged and invested in the story and the dialogue.
Obviously I wasn’t the only one that liked the show. Here’s a review posted in “Time-Out”
My ongoing Spot the Arab project continues with the addition of Yunis Dargit to the ever-growing line-up of models I have photographed and exhibited. Spot the Arab is my highly-personal series of portraits looking at issues of race, identity, gender, religion and prejudice as seen through my lens, presenting honest, uncomplicated portraits which challenge the viewer to consider whether the model might identify as Arab or not. Some of the models identify as Arab, partially Arabian or not at all. It is up to the viewer to read the signals, and make their own assumptions. It is truly interesting to see on what basis each person makes their guesses.
I have exhibited my Spot the Arab series in Rome in a solo show at Galleria Il Ponte Contemporanea in 2017 and later in Australia, at the Backspace Gallery in Ballarat in 2018. For more information and a more detailed description of this series please visit the following Link: Spot the Arab
Now in 2023, I have continued my series with Yunis, an interesting man with a fascinating background. Currently he lives in Sydney, Australia and works in hospitality. I first challenge you to guess whether he identifies as Arab or not.
We started the shoot with some standard head-shots as a warm-up. This was also to provide Yunis with some new images to use for his social media and CV … see the official portrait below.
Following the head-shots, we moved on to capture the Spot the Arab portraits. Here are a few depictions of Yunis in costume from this shoot.
Yunis does identify as Arab, which is the short answer to the question. But it is more complicated than this … as it often is when we discuss nuances of human identity. Here’s an excerpt from what Yunis wrote:
“I researched my background as far back as 1843 and although some may dispute the fact that I am Arab, I possess documents that verify my lineage.
My family originates from what is now known as Syria, however I was born in Turkey and grew up later in Germany.”
On a recent job for Prime Constructions I organised drone photography to be shot at one of their sites. It is hard not to feel like you’re revisiting your childhood with such technology … you know, a bit like when dad and you made one of those remote controlled planes. Fortunately the drone is a bit easier to fly than the bungled attempts I remember trying to get the plane off the ground.
Prime is regarded as one of the leading building contractors in NSW. It was established in 1983 by Ron Masters and Phil de Gail. Paul Christopher and John Drake joined the company in 1988 and 1989 respectively and both became joint managing directors in 2010.
I also captured some images of a recently completed logistics centre by Prime Constructions at Homebush. While I was working until dusk, waiting for the light to become more seductive, it was a welcome surprise to find that there was a fast-food van next door with outdoor seating. Of course I couldn’t resist trying the “Little Weiner cuisine” in between shots.
The glamorous Kitty Glitter came to my studio to update her promotional imagery before she heads to Toronto as part of her ongoing tour one of Australia’s most successful international DJs.
I was in the Sydney suburb of Liverpool to photograph the opening event of a new accommodation facility in Liverpool for people with disability.
United For Care is an organisation which promotes the idea that people with disability can live, to a large extent, a happy and fulfilled life and that means having their own independent accommodation. It strives to move away from any model of communal living in dormitories, shared bathrooms and lounge rooms and gives the individual the pleasure of having their own space, at the same time offering all the allied support that may be necessary.
The event kicked off with an acknowledgement of the traditional custodians of the land in a welcome to country by Aunty Gail followed by a smoking ceremony.
Speeches were made by the Chief Operations Officer, Karim Amin and Dai Le (Federal Member), who also cut the ribbon to mark the official opening.
Guests were entertained by “The Weeklies”, the Disability Services Australia band who created a melodic background for the day’s activities. The catering was next level, as you can see from some of the images which follow.
During the recent Sydney World Pride festival, I was commissioned by Booking.com and CSM to photograph events along Crown Street, to document the installation that Booking.com had created as part of their “Travel Proud” initiative.
Travel Proud has been created as a way of making travel for the LGBTQA+ community more inclusive. Companies, organisations and people who offer travel and hospitality experiences have been encouraged to take a short course to understand and connect more effectively with LGBTQA travellers. This reduces any barriers or uncomfortable situations for LGBTQA+ patrons and has been welcomed by Booking.com’s partners.
Passers-by were encouraged to share “travel proud” messages of goodwill and anecdotal travel stories by recording them (usually on their phones), then uploading them to the “giant suitcase” containing a large LED screen which then played them back.
I enjoyed capturing the atmosphere in Crown Street during this event. I started early on a Sunday morning to document the construction and reassembling of a giant suitcase which was to become the central focus for the Booking.com promotion. Alongside the suitcase, a stage was built with lights and sound gear, ready for the line-up of local and international talent.
And the artists, at least in the shows I experienced, were really magnificent. There was Nick Pes wooing the public with his dulcet tones (and a stunningly ripped midriff clearly on display).
Greg Gould had the crowd in the palm of his hand. Trevor Ashley gave Shirley Bassey a run for her money.
Of course the big draw card on the night was the Austrian winner of the 2014 Eurovision Song Contest, Conchita Wurst. Conchita was in town as an ambassador for Booking.com and the Travel Proud program.
There were fabulous drag queens from interstate, including Big Thick Energy, Vassy, Haiku Hands and Chela, as well as drag queens well known to the Sydney crowd such as Verushka Darling. Plus there was a string of DJ’s from Sydney and beyond, including James Tobin who I had photographed many years previously.
The night closed with a stunning performance by Paul Capsis who would have blown the roof off, if there was a roof in the first place. I loved watching the faces in the crowd during Paul’s performance. One comment I noted was, “Capsis is a creature with incredible force. His screams can be heard from Mars.”
All in all it was great to see Oxford Street and the neighbourhood come alive with a great feeling of celebration and sharing over this period. Bravo to the organisers for creating a really successful new event.
Scroll through more photos by clicking through the images below:
It was an early rise for Sunday morning, especially after working long hours the day before. However it was well worth the effort to be able to participate in a major civic event on the final official day of World Pride Sydney 2023. I met my two friends Ann Maree and Michele at Central Station, to join 50,000 of our closest friends, to walk across the iconic Sydney Harbour Bridge to the Domain.
This was the first time in 23 years that the Harbour Bridge had been closed to traffic. Participants marched in solidarity for the LGBTQA+ community, in honour of past, present and continuing struggles both here and internationally, particularly in places where the rights of members of our community fall far behind the respect given in Australia (you know who you are!)
It was an exhilarating experience to be in unison with so many. The crowd was colourful and joyful. The weather was superb and the walk was the perfect bit of exercise for a Sunday morning.
As I walked, I thought about those people in other parts of the world who do not experience the freedoms that we enjoy here in this country. I then thought about all those in Australia who weren’t as lucky as us right now, being able to congregate under the banner of LGBTQA+ and march together, but instead have had to lead a life of non-acceptance and vilification. I thought about those who have had to endure social exclusion and even violent attacks, those who lost their lives, or the many hardships and painful journeys. It’s good to be able to clock just how far we have come, to act as a reminder to be vigilant in our protection of our hard fought freedoms.
Approximately 160 new graduates of the NSW Ambulance training course for paramedic and call takers gathered for the graduation ceremony with friends and family at Homebush.
Key speakers at the ceremony were David Dutton BM ASM, Executive Director, Clinical Operations and Clare Beech ASM, Executive Director, Clinical Operations who welcomed the new graduates to the ranks of fully qualified employees.
The Senior Chaplain, Peter Van Praag, gave an introductory speech followed by a moment of stillness and prayer. The audience also heard from different representatives from the classes of paramedic and call takers, and a sense of pride was shared by the family and friends who also attended. Later there was a special appearance by the NSW Ambulance mascot, “Bearamedic”
Feature Point Constructions is a boutique construction and building company based in Melbourne, specialized in shop and office fit-outs and home renovations. Its hallmark is precision and quality finishes. The company is run by the well-presented and professional master tradesman, Ali Yucel (pictured above).
I spent the afternoon in Torquay, Victoria, photographing a home renovation that had recently been completed by Feature Point Constructions.
Torquay holds a special place in my heart as it was the “go to” holiday spot for my mother, aunty and us children. I have lots of fun memories of frolicking endlessly by the beach, long sunny days and loads of oysters and crayfish at the end of day in the hotel room.
I was impressed with the clean lines, rounded corners and beautiful finishes on this renovation. The following is a gallery of some of the shots.
During the recent Sydney run of La Cage Cage aux Folles, the chemistry on stage between the two leads, Paul Capsis and Michael Cormick, was palpable and electric. This iconic stage musical is about two eccentric men (one more-so than the other) bringing up a child above a nightclub in St Tropez, where one of the parents, Albin, performs as a drag queen. I took these production photographs at the final dress rehearsal in late January at The Concourse Concert Hall. I couldn’t stop myself laughing – the jokes are still relevant, even decades after they were written.
I remember when I saw the Franco-Italian film version in my 20’s … it broke many taboos in such a fun and ground-breaking way. Initially it was created as a play by Jean Poiret and was performed by Michel Serrault and Jean Poiret. It was a huge success and hence made into a film (also starring Michel Serrault) in the French language, which broke into the international mainstream market and certainly took Australian audiences by surprise. Not only did we see a successful homosexual relationship front and centre on the big screen, but there was cross-dressing, drag and hilarious slapstick on display … a far cry from the tortured, artistic, foreign-language cult films we were used to seeing from France.
The David Hawkins production of La Cage Cage aux Folles was a joy to shoot. If you appreciate colour, movement and good humour, then this version is the ultimate production. I loved watching Paul and Michael play the roles of Albin (and ZaZa, the drag phenomenon) and his more conservative partner Georges (who was previously married and produced a son).
News Flash!!!!!! La Cage is getting another run this time at the State Theatre in Sydney from 19th – 23 April, 2023. Click here to book tickets:
It was a real pleasure to shoot the Sydney dress rehearsal of director Richard Carroll’s new production of Gentlemen Prefer Blondes at the Hayes Theatre.
The two leads, Emily Havea and Georgina Hopson, are fabulous in the roles of Dorothy and Lorelei and the rest of the cast are equally brilliant. When you are producing a theatrical shoot, it can be very difficult to appreciate the bigger picture of what is happening on stage. Your attention as photographer is focused on multiple things while you apply your craft, including technical considerations and stylistic decisions. However, in this case, it was impossible for me to ignore the magic of what was happening on stage, even though it was only the dress rehearsal.
If you see this post before the production of Gentlemen Prefer Blondes finishes at the Hayes Theatre on March 18, 2023, make sure you book tickets to see this wonderful piece of musical theatre. Book here
Director:Richard Carroll | Featuring:Octavia Barron-Martin, Thomas Campbell, Ruby Clark, Adam Di Martino, Emily Havea, Georgina Hopson, Tomáš Kantor, Leah Lim, Tomas Parrish, Matthew Predny, Monica Sayers | Musical Director: Victoria Falconer | Band: Nathan Barraclough, Amanda Jenkins, Abi McCunn, Jarrad Payne | Choreographer: Sally Dashwood | Set Designer: Dan Potra | Costume Designer: Angela White | Lighting Designer: Benjamin Brockman | Associate Musical Director:Abi McCunn | Stage Manager: Bronte Schuftan | Assistant Stage Manager: Anastasia Mowen | Dialect Coach: Benjamin Purser | Intimacy Coordinator: Caroline Kaspar