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August 2024 – John McRae Photography & Studio

Tripping the light fantastic


Although I rarely post images of myself, a friend of mine, Connor, managed to snap this shot of me and my ballroom dancing partner, Janelle, at a recent grading event in Cronulla, Sydney.  I thought the image was worthy of a post….so here it is. Me pictured on the dance floor during our foxtrot routine.

Composer and music educator, Margaret Brandman, updates her portrait

Margaret Brandman is an accomplished pianist, composer, accredited piano teacher, arranger and music educator who has performed and lectured in Australia and abroad. Margaret has composed music for voice and a variety of instrumental combinations. Her publications incorporate a complete range of music education materials including Accent on Music (High School text) and the Contemporary Piano Method.

Margaret came to my studio to update the imagery she requires for promotional purposes, including new headshots. 

To remain current, these images need to be regularly re-photographed, so that public presence in the media remains credible. Margaret is a lovely, talented woman and we spent a great moment together.

By the way, check out her music…it’s on youtube at this link: Margaret’s Music

To listen to a recent interview with Margaret (9th October, 2024 on 89.7 FM)…..click on this link: She speaks about half an hour into the program

Prinnie Stevens in studio

1st look….where we started.

It is always a pleasure to photograph Australian singer and performer Prinnie Stevens and the recent shoot at my studio was no exception.

We captured three different looks over the space of one morning. Prinnie required some updated imagery for promotional purposes. As is always the case, Prinnie presented herself with total professionalism, which makes my job as a photographer far less complicated.

We started with a relaxed image, for a more casual feel. Prinnie chose to have her hair out, the makeup was natural and simple. We shot the image on a strong, peeled-back, black background.

The next shot was more colourful. Prinnie was wearing a lilac knit jumper and I chose to light her differently, using a more high-key, shadowless, front light, together with a purple gel on the background to mirror the colour of her jumper. I also added a warmer side light to give this image extra highlights in her hair.

For the final look, I changed the lighting again. This time I wanted to reflect a more sophisticated look. Prinnie slicked back her hair and applied a tad more makeup, including a different lip colour. I chose a “butterfly”-type lighting approach, with a couple of side lights added for effect. I gelled the side lights with a quarter blue gel to give a bluer tone on the sides of her face.

I enjoyed meeting up with Prinnie and working with her again to create a series of new imagery. I believe she was happy with the results and I look forward to our next session.

Warehouses and the colours of the Australian landscape

The zone around Eastern Creek and beyond has become the “home of the warehouse” … a broad stretch of land covered with severely functional, industrial buildings, reminding us of our need to supply, store and coordinate the comings and goings of products for the daily requirements of our urban populations.

I imagine that most people are unaware of the enormous scale of this area of infrastructure, perched on the out-skirts of Sydney. It’s not really a destination …”let’s take the kids to see the warehouses at Eastern Creek”. If you live in residential enclaves in the vicinity, you may only see the warehouses in passing. But most inner-city, latte-sipping urbanites have no idea of the alternate “cities of large boxes” that inhabit the periphery of our cities.

This warehouse complex was built by Prime Constructions for ISPT, the developer, by whom I was commissioned to make these images. I like this type of shoot, since it allows me time to walk around these enormous structures, completely alone in the industrial landscape, capturing the sharp angles of these dislocated icons as the sun starts setting. I usually keep shooting into the twilight, for about half an hour once the sun has gone down. I then pack up my equipment, hop in my car and drive 40kms back towards the inner city.