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Stephen Sondheim’s acclaimed and seductive musical farce, A Little Night Music, opens tonight at the Hayes Theatre in Sydney.
Winner of the Tony Award for Best Musical, Sondheim’s A Little Night Music is a wonderfully witty and deeply moving romance, exploring desire, passion and regret. IN this new Sydney production directed by Dean Bryant, the audience is swept away by classic songs like “A Weekend in the Country”, “The Miller’s Son” and the iconic and pensive “Send in the Clowns”.
I ventured to the Hayes Theatre for the final dress rehearsal last week to photograph dramatic moments of the players on stage. Although most of my attention was on capturing the best images, I couldn’t help being carried away to Sweden in the 1900, caught up in the drama of the suspicious trysts and love triangles of these engaging characters.
Desiree Armfeld (Blazey Best) with Count Carl-Magnus Malcom (Josh Robson) with Frederick Egerman (Leon Ford) hiding in the corner.
I loved seeing Nancye Hayes on stage as the stylish doyenne, Madame Armfeldt. She certainly defines stage-presence with panache.
If you are in Sydney, I suggest you see this magnificent performance…..a great night out, witty, entertaining, clever use of language, with captivating music and lyrics. Playing until November 11, 2023 Book here:
Conchita Wurst performs on the Booking.com stage along Crown Street
During the recent Sydney World Pride festival, I was commissioned by Booking.com and CSM to photograph events along Crown Street, to document the installation that Booking.com had created as part of their “Travel Proud” initiative.
Travel Proud has been created as a way of making travel for the LGBTQA+ community more inclusive. Companies, organisations and people who offer travel and hospitality experiences have been encouraged to take a short course to understand and connect more effectively with LGBTQA travellers. This reduces any barriers or uncomfortable situations for LGBTQA+ patrons and has been welcomed by Booking.com’s partners.
Passers-by were encouraged to share “travel proud” messages of goodwill and anecdotal travel stories by recording them (usually on their phones), then uploading them to the “giant suitcase” containing a large LED screen which then played them back.
Men at work
Construction almost completed
I enjoyed capturing the atmosphere in Crown Street during this event. I started early on a Sunday morning to document the construction and reassembling of a giant suitcase which was to become the central focus for the Booking.com promotion. Alongside the suitcase, a stage was built with lights and sound gear, ready for the line-up of local and international talent.
Almost finished….the giant suitcase with large LED screen
Baylee and Emily hand out Booking.com suitcase tags
Nick Pes on stage
Onlookers included Festival Artistic Director Daniel Clarke
And the artists, at least in the shows I experienced, were really magnificent. There was Nick Pes wooing the public with his dulcet tones (and a stunningly ripped midriff clearly on display).
Greg Gould had the crowd in the palm of his hand. Trevor Ashley gave Shirley Bassey a run for her money.
Conchita Wurst
Trevor Ashley takes the stage
Of course the big draw card on the night was the Austrian winner of the 2014 Eurovision Song Contest, Conchita Wurst. Conchita was in town as an ambassador for Booking.com and the Travel Proud program.
Verushka Darling on stage
There were fabulous drag queens from interstate, including Big Thick Energy, Vassy, Haiku Hands and Chela, as well as drag queens well known to the Sydney crowd such as Verushka Darling. Plus there was a string of DJ’s from Sydney and beyond, including James Tobin who I had photographed many years previously.
DJ
DJ James Tobin
Paul Capsis creates his unique brand of electricity on stage
The night closed with a stunning performance by Paul Capsis who would have blown the roof off, if there was a roof in the first place. I loved watching the faces in the crowd during Paul’s performance. One comment I noted was, “Capsis is a creature with incredible force. His screams can be heard from Mars.”
The faces in the crowd says it all…..
All in all it was great to see Oxford Street and the neighbourhood come alive with a great feeling of celebration and sharing over this period. Bravo to the organisers for creating a really successful new event.
Scroll through more photos by clicking through the images below:
On Friday night (December 9), I had the extreme pleasure of being entertained by Trevor Ashley’s production of Moulin Scrooge at the Seymour Centre in Sydney. Only a week prior, I was backstage photographing the performers during their preparations for the dress rehearsal of this new adult panto, which I also recorded.
Trevor Ashley and Carlotta on stage during the dress rehearsal of Moulin Scrooge
When it’s possible, I like to capture informal shots in the dressing room, with the actors applying their makeup, prior to the main shoot. This helps to establish a good working atmosphere. Trevor said to me: “Come a bit earlier, if you like, because I know how you love to get a few shots backstage”. And it’s true, I do find these behind-the-scenes photographs and outtakes fascinating.
Now a week later, as an audience member, I thoroughly enjoyed the production, cleverly written by Trevor Ashley and Phil Scott. And performed beautifully by Trevor, his “high-kicking” supporting trio of Jakob Ambrose, Jarrod Moore and Stephen Madsen, and of course his magnificent co-star Carlotta (“the Queen of the Cross”). I also have to mention the fabulous costumes by Angela White.
Carlotta exerts fierce concentration…necessary for the preparation of the character of Astrid Zeneca.
Carlotta’s show-stopping performance of the Sondheim classic “I’m Still Here” (with a poignant libretto rewritten by Ashley and Scott), tracked her journey from a vilified Balmain schoolboy to national icon. Her rendition moved the audience to their feet for a well-deserved standing ovation. It is a testament to why Carlotta is considered one of Australia’s ground-breaking treasures and why Ashley so generously provided a new platform for one of his all-time “drag mothers”. Nearing her 80th birthday, Carlotta especially came out of retirement to perform as the club-owner of Moulin Scrooge.
The season for Moulin Scrooge has been extended so get in fast tobuy tickets here:
A final look in the mirror before heading on stageTrevor Ashley (as Saton) with Phil Scott (co-writer)An article with one of my photos, from the Sydney Morning Herald, December 10-11, 2022
La Cage Aux Folles will be playing in Sydney at the Concourse at the end of November. Tickets available at Ticketek here:
Directed By Cameron Menzies
Musical Direction by Craig Renshaw
Choreography by Veronica Beattie George
Production Design by James Browne
Lighting Design by Karen Norris
Wigs and Make-up Design by Drew-Elizabeth Johnstone
Sound Design by Anthony Lorenz
The iconic Paul Capsis will be joining an all-star cast including Michael Cormick to delight Sydney audiences. We captured some images of Paul at the studio recently in preparation for the production. Here are some behind the scenes shots of Paul getting ready for publicity imagery. As always it is a joy to work with Paul. His ability to make you laugh is unsurpassed.
Paul in makeup with Vincent Wang (MUA), watched on by La Cage Aux Folles producer David Hawkins
I have been photographing the legendary Bob Downe for many years now and I feel that I must comment on the fact that for some reason Bob never seems to age. See for yourself in the images from my latest shoot with this iconic stage, cabaret, theatre and television personality. Like many of his ilk, Bob never gives away his ageless grooming secrets, although in a recent post he did mention that he “sleeps in a rubber mould”. However, I suspect he was pulling our proverbial leg.
Bob was wearing some of the magnificent creations of Maude Boate. Maude is one of the true originals of Australian drag, as well as an incredibly talented designer and dress-maker. Maude’s trademarked polystyrene wigs were adapted for the movie and stage-play, Priscilla, Queen of the Desert.
Bob’s good friend and confidant, Mark Trevorrow feels that Bob should be at Madame Tussauds. In his sequinned leisure suits, sometimes he almost looks like he is. (Incidentally Mark Trevorrow is performing on March 4 at Claire’s Kitchen at Le Salonin Oxford St, Darlinghurst). Others have described Bob as “naturally fabulous”, and “ageing like indestructible Tupperware”. All I can say is that I always have loads of laughs with Bob on every photo shoot in my studio. He’s a real pro and he makes my job so much easier, despite the highly flammable fabrics.
